Going further, the signal cumulated into a send can be directed or diverted to another send, and so on, which means the possibilities are endless.
But what’s cool, is that you have full control of each of both mixer tracks, for example, you can bypass the original sound and leave only the processed sound from the send, or adjust the amount of signal the master receives from the mixer tracks etc. When you route signal from a mixer track to another mixer track/send, the master will receive audio data from both sources. In a brief explanation, the chain is simple: a mixer track receives audio data from a plugin or audio clip, then all the signal goes to master. See also: FL Studio Tutorial – Sidechain Compression with Fruity Limiter
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